The Isolationism of Depression

I’m sitting in a brightly lit, crowded and noisy room. People bustle around me, eating, drinking, talking and laughing, and here I am in the middle of it, ignoring it all. I have noise-canceling headphones in, and the most I hear is a faint whisper of spoken word, the slightest hint of movement out of the corner of my eye, and the distraction of someone jostling me as they try to get by. Otherwise, I’m in a world of my own, oblivious to the people around me, focused on the music in my ears and the screen in my eyes.

In many ways, this is a perfect analogy for depression. I know there are things going on in the world around me, but I can’t connect to them. I know there are people who might be watching me, trying to talk to me, but I can’t pay attention. I don’t hear anything but my own focus, don’t see anything but myself. In the same way that the sounds around me are muted and distant, so are the feelings of people around me, and even the brightness of the day is somehow more subdued than it used to be.

Depression is very isolationist. It really doesn’t want me to interact with people, or do my job, or pay attention to my family. All depression really wants is to escape into a lost, solitary world, a place where no one sees me, and I don’t have to see them. Where no one hears me, and I can’t hear them.

This is a place I’m intimately familiar with. I’ve often felt huddled in a corner, looking out on the world from a place of dark loneliness; I frequently lapse into periods of nonexistence, where I’m not certain if I’m dreaming or not, if I’m in bed or at work. When depression steals over me, it mutes the whole world in both color and sound, and it’s all I can do to stay cognizant enough to make it from place to place, from moment to moment, until I finally get to retreat into the soft warm covers of my bed once more.

I’ve been told I get very self-centered when I get depressed. I think this is probably accurate; it’s difficult to assess others’ problems or empathize with their troubles when nothing seems to matter. When the darkness creeps over me, I just stop caring about anyone else. Perhaps it’s a survival instinct; perhaps I’m just trying to stay sane enough to live the day out. The same is true of duties and responsibilities; I’m having a really hard time focusing at work, convincing myself that any of it matters at all. I want nothing more than to go home, go to sleep.

Sometimes depression is a deep, overriding despair. These are the times when I can’t even get out of bed, never mind take a shower, or brush my teeth, or make it to work on time. This is when the world is black, I can’t see past my own feet, and everything is spiraling out of control to a point where there seems no way out.

Other times, however, depression is a kind of blank limbo, neither feeling nor unfeeling. I do things as though nothing were wrong, going through the motions of an otherwise normal day, but there’s no connection internally; no meaning to any of it. Do I speak up at that meeting or not? It really doesn’t matter. Do I go shopping after work? Who cares? Should I watch a movie or fall asleep? Same difference.

That’s kind of where I am right now. I haven’t written more of The Redemption of Erâth in a good few weeks. I haven’t written more music. I haven’t done … well, anything, really. I just keep plodding on, step after step, day after day, getting up and going back to bed with nothing in between. Leaving the house, going to work, having dinner with friends … all of it, nothing. It doesn’t mean anything.

I hate losing touch with reality like this. I don’t want to just go through the motions. In fact, I think I’d rather be utterly incapacitated with despair than well enough to do things, but ill enough for it to all mean nothing. I’d rather feel something than nothing, even if that something is misery.

Mostly, though, I’d rather just sleep the day away. Then I wouldn’t have to sit in this brightly lit, crowded and noisy room. Then I could just be on my own, in my little isolationist bubble, and feel nothing.

The night isn’t far away.

The Vividness of Mid-Afternoon Dreams

Perhaps because of my bipolar disorder, or perhaps because of the medications I take to quell its symptoms, I like to sleep. Like, a lot. When I’m not working, I find it very difficult to make it through a day without having at least one (if not two or three) naps. (To be honest, even when I am working I get so tired after lunch that it’s hard to be productive anyway.)

Also perhaps because of my disorder, or the meds, I dream when I sleep. What’s particularly funny about these dreams, though, is that they are (mostly) benign, never frightening, and vivid as hell. Like, Wizard of Oz Technicolor vivid.

For example, just yesterday I dreamed that I was in the loft in my house, but for some reason my house was on the edge of a cliff bordering the sea. While I was sleeping (because in my dream, I was taking a nap), the cliff started to crumble, and the house started to slide into the ocean. It really wasn’t a big deal, but kind of threw me for a loop.

The best part was that when I woke up (in the dream) and looked out of the window to see my house sliding down a cliff, I thought to myself, this isn’t very realistic – I bet I’m dreaming. But then I went downstairs, and when I passed the bathroom I saw the toilet gurgling and flooding as the water from the ocean started flooding the house. And that’s when I started to worry, because it seemed like a detail too intricate to be dreamt. Maybe my house really was drowning.

This is an example of a particularly fantastic dream, but more frequently my dreams are much more bland; sometimes I’ll simply dream of a day a work where nothing of much interest at all happens, or I might dream of eating a meal that wasn’t bad, but just not really good, either.

I suppose I should consider myself lucky that I don’t have nightmares – the vividness of my dreams would not translate well. And the most vivid of my dreams are usually from those mid-afternoon naps, snuggled deep in the blankets (or on the couch with my cat) where the world outside is cold but in my head everything is toasty warm.

When I’m feeling particularly depressed, I actually look forward to these hallucinatory dreams – it’s like a fugue state, where everything and nothing is real, all at the same time. During these times, I slip into sleep like a warm comforter, just waiting for the dreams to come. When I’m not depressed I don’t necessarily deliberately look for the escape, but I certainly don’t avoid it, either.

Sleeping – and dreaming – is an integral part of my life, and something I couldn’t imagine being without. It’s an odd thought, really, because I think most people don’t really remember their dreams – or care to have them. I find them a necessity, though, in some ways to maintain my sanity; without dreams, I’d probably wonder if the real world was even real at all.

What are your most vivid dreams, and do you remember them well?

Thought of the Week: Snooze

I hate inspiration in the same way I hate money: it’s constantly eluding me. That little beast, dancing just out of reach and taunting me with clues that fail to develop, is one of the most frustrating things in existence.

Of course, I can’t say I never have inspiration; after all, I managed (somehow) to write a book, half of another, and half of a third (does that make two books total?). But for the most part, it’s just not there. Just…not…there…

Or is it?

You see, I read recently a passing comment that inspiration often comes when the mind is allowed to wander, such as those moments between waking and sleeping. It’s a time when your brain starts to meander off course, taking the unbeaten track to places that make little or no sense, yet with the presence of mind still to remember it…maybe. The danger of this approach, clearly, is in actually falling asleep, because then the wanderings turn to dreams, which are inherently unmemorable.

And I can certainly attest to this. Though indistinct, I can clearly recall many, many occasions just before falling asleep (or sometimes, on those rare occasions I get to sleep in, just before waking up) when I start thinking about my writing, or my music, and suddenly something just makes so much sense that I want to jump up and scream and write it all down. Most of the time, however, I just fall asleep.

Occasionally a dream will be vivid enough to remember even after waking, if only for a little while; the seed of a novella I’d like to one day work on came from such a thing. Even the title came from the dream: The Girl Who Killed Herself in Apartment 615. Yes, it’s pretty morbid.

However, there is one source of inspiration that works more often than not, and that’s the daytime snooze. Some people refer to it as power napping, and the great thing about it is that you don’t quite fall asleep; your mind is in a constant state of drift. The realization of what happens at the end of The Redemption of Erâth: Exile (that’s book two) came from such a place. So did the knowledge of what exactly happened to Amy in her formative years in A Gothic Symphony. It’s a wonderful place to be – a world of disconnection where the oddest things suddenly make sense of themselves, and every so often blast their way to the front of your head so that you remember them.

And of course, the very best part of all of this is that – heh heh – I have an excuse to sleep during the day. Of course, the real reason is because it helps to avoid doing anything else, but the secondary benefits are rewarding. Inspiration, that elusive fiend, can’t escape my snoozes.

Ironically, the inspiration for this post came from thinking about how little inspiration I see to have. So that works, too.

Featured image from http://documentaryden.com/the-light-bulb-conspiracy/.

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