Thought of the Week: The Real Final Frontier

Shot from 1953's The War of the Worlds.

Shot from 1953’s The War of the Worlds.

Having recently watched Star Trek Into Darkness (and thoroughly enjoyed it), it nonetheless brought to mind the nature of the universe at large, and how stunningly wrong science fiction gets it all the time. I’m not talking about warp drives and ion engines, but some of the less obvious, background kind of stuff. Lately (actually, for some time, come to think of it) science fiction movies have been bombarding us with spectacular visual effects. The War of the Worlds from 1953 showed us groundbreaking special effects, combining matt painting, models and live action footage. Independence Day marked one of the first mass uses of CGI to create the majority of the movie’s special effects. Green Lantern was essentially computer animation with a face in it.

But in striving to wow us with ever more impressive visual effects, the writers and filmmakers have had to take liberties with the truths of the universe. In Star Trek II: The Wrath of Khan (still of the best Star Trek movies in my opinion), the Enterprise manages to ambush Khan by entering a nebula, whose gaseous particles block all of their sensors. Nebulae, of course, are real. Here’s one:

The Crab Nebula, about 6,500 light years away.

The Crab Nebula, about 6,500 light years away.

And Star Trek‘s:

The Mutara Nebula from Star Trek II: The Wrath of Khan

The Mutara Nebula from Star Trek II: The Wrath of Khan

The ships enter the nebula as though it’s a kind of cloud in space. Here’s the problem: the individual particles in a nebula are kind of far apart: about 100 or so in each cubic centimeter (air, by contrast, has around 1,000,000,000,000,000,000 particles per cubic centimeter). A nebula wouldn’t really look like a nebula; it would look sort of…empty. They’re also somewhat large for a spaceship to ‘duck’ into; the Crab Nebula above is about 11 lightyears across.

What strikes me about these images, however, is their visual impressiveness. For all the technical wizardry of ILM and Weta and all the other companies out there, nothing quite compares to the unimaginable marvels of the natural universe. Here’s Saturn:

An incredible image of Saturn and its largest moon, Titan.

An incredible image of Saturn and its largest moon, Titan.

It is one of the most stunning and awe-inspiring images I’ve ever seen. It almost doesn’t look real, and its reality is therein. Nothing we could imagine or invent could compare. What you’re seeing is hundreds of millions of miles away from us, and thousands of miles from the camera that took the picture. Nothing can even come close to encompassing the incredible scale of these stellar objects.

Here’s a shot of Enceladus, another of Saturn’s moons:

Water geysers erupting from Enceladus's south pole.

Water geysers erupting from Enceladus’s south pole.

Those small, gassy bursts are actually jets of water (yes, water – on another freaking planet!). Each one is nearly three hundred miles high. There is significant evidence that Enceladus hosts liquid water beneath its surface, which is one of the primary, basic requirements for life. Traces of potential organic matter have also been detected, increasing the possibilities. Wouldn’t it be simply astounding if there was actually life – real life – on another planet in our solar system?

And to finish, here is one of the most spectacular sights you’ll ever see:

The stellar spire inside the Eagle Nebula. I've rotated it on its side, but would be seen vertically from Earth.

The stellar spire inside the Eagle Nebula. I’ve rotated it on its side, but would be seen vertically from Earth.

These are not paintings, or computer graphics; these are real, genuine photographs of the absolutely insane and indescribably beautiful things that fill our universe. Their size is incomprehensible, galaxies that span trillions of miles, stars whose light has travelled for a billion years to reach us, and even evidence of real, genuine plants orbiting other stars. I will continue to enjoy my Star Trek, but I will never be satisfied with their tenuous links to reality, or their inability to even come close to mimicking the wonders of the universe.

Satis Logo with ©

Music I Love: “Suicidal Emotions”, Abyssic Hate (2001)

Deliberately blurred – the cover is extremely graphic.

Deliberately blurred – the cover is extremely graphic.

Apologies if this is not to everyone’s taste; it pretty much qualifies as extreme black metal. You won’t find it on iTunes, and probably won’t find it on Amazon. It’s utterly bleak, horrifically depressing and extremely explicit metal, and even today it’s not something I can bring myself to listen to very often. However, there was a point in my life when this epitomized everything I was feeling, and allowed me to drown in an empty world of utter loathing and blackness.

Abyssic Hate is (possibly was) a one-man project from Australia, created by someone called Shane Rout. A misanthrope if ever there was one, he once said in interview that he believed “99% of all humans ought to be exterminated”. In the mid ’90s he released a number of demo tapes with such lovely titles as Cleansing of an Ancient Race. Then in 2001 the production values stepped and he released his one and only full-length LP, Suicidal Emotions. There have been no further releases since then, and no further word on Shane or Abyssic Hate since 2005. The website is defunct, and Google searches provide essentially nothing. I suspect it’s very likely that he’s now dead.

The track listing is unsurprisingly disheartening: Depression Part IBetrayed, Depression Part IIDespondency. Here’s a short excerpt of his lyrics:

I think about life and feel pure hate about being trapped here on this earth

Envying all deceased souls who’ve passed on from this ruined plane

My dormant hours are filled with fear, my waking hours I will not face

All will to live has expired

I just want to f***ing die!

Depression Part II – Abyssic Hate, 2001

The average song length is around 12 minutes, and the music itself is extremely distorted and droning, changing and evolving throughout each song incredibly slowly. The ending track, Despondency, ends with an atmospheric outro, eerie synthesizers and unsettling clinking, as though of someone despairingly hammering at shackles that will never break.

And with all of this, I really feel like I should explain my attraction to this music. I imagine to most people it would be pretty much unlistenable. To me there is a comfort to the constant droning, an escape into mindlessness and a drowning in the comfort of darkness. It returns me to the days of the worst of my depression, and although I would never wish to return there, there is something soothing about those memories. After a while you become accustomed to the distortion, and there are surprisingly beautiful harmonies and melodies underneath it all. The dreadful and terrifying vocals are guttural and screamed, and essentially unintelligible unless you already know what they say.

I absolutely do not recommend you listen to this, or try to track down a copy of the album – this is one to avoid.

00-front-mictlan

Movie Night: Iron Man 3

Year: 2013

Director: Shane Black

Production Company: Marvel Studios

Leads: Robert Downey Jr., Gwyneth Paltrow

Screen Shot 2013-05-30 at 10.00.33 PMWell, we went to see it. We pretty much had to, of course; after watching Iron Man, The Incredible Hulk, Iron Man 2 and Thor (good movie, Thor), Little Satis would’ve probably considered patricide had we not. It was a surprise, then, to find that it was significantly different to the previous two Iron Man films. In fact, different I think to all of the Marvel films to date.

It was dark.

I don’t want to give too much away of course, it being new, but I can safely say that the storyline quickly veers away from “Iron Man” and bears its full focus on Tony Stark. We learn a lot about Tony in this movie. And what we learn isn’t all that pleasant.

The nutshell version is that a new villain, the Mandarin, is claiming to be responsible for a series of terrorist bombings across the United States; bombings that leave no bomb pieces behind. But before the ass kicking can really get into full swing, we suddenly find ourselves with Tony in the middle of nowhere in the middle of winter with no suit, no Jarvis, and no help.

This leads us to a journey of self-discovery for Tony, and the center of the film is dominated by this, whilst the world meanwhile cowers before the Mandarin. And it’s this that really turns the movie on its head. Robert Downey Jr. suddenly has a reason to show his acting talent, and stop being so incessantly…Robert-Downey-Jr.-ish. As I’ve discussed the movie with friends and family, I’ve discovered not everyone appreciates this turn of direction. If you are looking for an all-out guns-blazing action movie in the style of Iron Man and Iron Man 2…I won’t say that you’ll be disappointed, but you might be surprised. If you’re looking for a superhero movie with a surprising amount of depth, this is for you.

★ ★ ★ ★