Black Art and Film

I want to preface this by saying this is a topic I know very little about. In fact, that’s why I’m writing about it. I can’t strictly call myself a film buff; I enjoy movies, and have a reasonable collection of digital films in my library, but I didn’t study film history in school, I don’t go out to the movies every Friday (or didn’t, prior to COVID-19), and honestly, as I age, find myself less and less inclined to watch something I haven’t seen before.

That being said, I enjoy the art of cinema, and enjoy the emotions, thrills, scares and joys that come with it. But with current events, it didn’t feel right to go on about another favorite film of mine tonight, not because film is any less important, but because cinema, Hollywood and society’s perception of film is possibly one of the largest bastions of industry-wide white privilege I can think of.

This doesn’t mean there isn’t black cinema, or that it isn’t good; nor does it mean that there aren’t famous black actors and actresses – of course there are. But in a space where tokenism remains dominant and white film is the norm, there is, I believe a lot of room for improvement. And it starts with me, and you, and all of us.

Take the following numbers as an example. I currently own 267 movies digitally, and I’m not going to start on the movies I’ve owned previously on DVD and VHS. Of those 267 films, the following contain black primary protagonists:

  • Black Panther
  • Blade 1-3
  • Independence Day (co-protagonist)
  • Lethal Weapon 1-4 (co-protagonist)
  • Men In Black 1-3
  • Rush Hour
  • The Shawshank Redemption (narrator, but not necessarily primary protagonist)
  • Suicide Squad (sorry)
  • 48 Hours

That’s 16 out of 267, or roughly 6%. Ninety-four percent of my movies are either entirely white, or the black characters feature as a minor, secondary, or token role. And arguably, the movies above are a) exceptions to the Hollywood rule, b) written, directed and produced by white people, and c) major blockbusters that everyone went to see anyway.

I can do better. There’s no reason I can’t expose myself to black cinema more, immerse myself in a world of stories that are every bit as engaging, fantastical, and human-centric. There are incredible movies out there written by black people, directed by black people, starring black people, that I can and should seek out.

Except … actually, there is a reason why I can’t expose myself to this realm of art more: it’s harder to find. As someone who primarily watches Hollywood films over independent cinema because it’s easier to access, I end up limited in my choices because those kinds of films don’t usually include an awful lot of diversity. Let’s look at the top ten films from a domestic box office revenue perspective in 2019:

  1. Avengers: Endgame
  2. The Lion King
  3. Toy Story 4
  4. Frozen II
  5. Captain Marvel
  6. Star Wars: The Rise of Skywalker
  7. Spider-Man: Far from Home
  8. Aladdin
  9. Joker
  10. It Chapter Two

Of these films, five have black actors within the first four credited actors (two are the same actor, however), but only two have a first-billed black actor – The Lion King and Aladdin (in neither of which do we actually see the actors themselves). Of these same 10 films, none were directed by black directors, and none were written by black writers.

Oscars are great, and critical reception is wonderful, but if people don’t pay to see a more diverse ensemble of cinematic talent, those films will never achieve the recognition they might otherwise deserve. And it’s a difficult thing to tackle; Hollywood loves old stories that it can repurpose again and again, and the old stories aren’t black stories. The adaptations, the rewrites and the re-imaginings of everything from Jane Austen to Philip K Dick, those enduring stories of humanity were, nonetheless, written by white people.

It’s difficult to ask Hollywood to take a risk on a new story, naturally; a lot of money goes into these films, and no one wants to risk millions of dollars on something no one might want to see. And the only old stories that feature black people are, naturally, ones about slavery – and no white person wants to be reminded of that, even though they should.

I think, perhaps, this is what it means to support black artists. Their stories should be told, and they should be heard. But they won’t be, and can’t be, unless everyone chooses to hear them. They might be uncomfortable; they might be hard to see. But change can’t come through comfort. And if the only language Hollywood understands is that of money, then we need to put our money where our mouths are.

And this, perhaps, could be the most difficult thing for us to do. Because of my environment, my upbringing, my exposure to art as I grew up, I’ve only ever associated art with white artists. I love western classical music, composed by white men. I adore European heavy metal – created by white artists. I love classic stories of hope and failure, written by white authors. I love these things because I grew up with them.

By nature, it means I end up associating non-white art with difference; with ‘otherness’, with change. I’m not a fan of hip-hop, or rap; I don’t know anything about black authors. And change is scary; it closes the mind to new experiences. It makes me say, “I don’t like this”, when in reality I haven’t even given it a chance. It turns me into a kid again, refusing to eat his broccoli.

But my starting point is this: I acknowledge this failing in me, and I acknowledge that change starts from within. It starts by giving others a chance.

So if that means that I look a little deeper into myself, and ask where I can find black art, then perhaps more people the world over can, too. And of course, art is interpretive – you don’t have to like it, just because it’s black! But don’t dismiss it for the same reason.

Support black artists. They deserve to have their stories heard.

Wearing White Shoes

This post discusses subjects such as racism and misogyny.
If this triggers you … you probably ought to keep reading.

I read an article last week published in the New York Times by poet and essayist Claudia Rankine. With the provocative title of I Wanted to Know What White Men Thought About Their Privilege. So I Asked., she discusses her experiences as a black woman traveling for work and observing frequent – and yet often unintentional – racial bias against her from white men. She recounts one instance in which two white men cut in front of her in line, only for one to comment to the other, “You never know who they’re letting into first class these days.” Another in which a group of white men again try to cut in line, and juxtaposes the actual response of both passengers and crew with the reader’s imagined response had that same group of men been women, or black.

Her article is well-written, thoughtful, and, I suspect, more carefully and deliberately worded than anything I could hope to achieve. Or would need to.

You see, I had never heard of Claudia Rankine. In fact, I originally started this article slightly differently: “… a poet named Claudia Rankine …” was how I was going to introduce her to my readers. I might have even published this post with this phrasing, had I not wanted to know if she had a doctorate or not. A very short Google search revealed more of you probably know of her than don’t. And after having read one essay of hers in the New York Times and spent all of three minutes looking her up, I’ve come to start to realize the extent of my whiteness. I probably will never fully grasp it.

… white privilege is … the simple fact that I don’t have to consider everything I do or say through the filter of my skin color.

You see, the very fact that I’ve never heard of a prize-winning, Yale-teaching poet is itself an aspect of this whiteness. Had she been white, or a man, might I have heard her name a little louder? Might I have inadvertently paid more attention?

Moreover, the fact that I can write and publish my own thoughts on prejudice without fearing insult or injury to my readers is symptomatic of the same thing. As I read Rankine’s article, it occurred to me that she was able to craft her language in such a way that sold a message – and sold it well – without once making me feel guilty – and therefore more likely to disengage. Engaged readers are the key to spreading a message, and I suspect – as she may do – that the New York Times has a lot of white readers.

Of note – although I didn’t spend more than about twenty minutes looking into it, I couldn’t find a demographic split for the New York Times by race; gender, income, age … but not race.

In a dextrous and subtle way, Rankine was able to open my eyes a little more to just what being black means – and to the fact that they’ll never really be fully open. In doing so, she helped me to recognize the way in which my own behaviors – both learned from and encouraged by (typically white) others – are affected by the simple fact that I’m white.

It also made me want to consider my own position on disparity and privilege, because as a white male it’s not something I often think about. My thoughts here are in no particular way well-educated, backed by research or experience, but they’re still my thoughts, so here goes.

Actually, back up a second. Read that last paragraph again.

What if I were black? How might readers’ opinion of my lack of evidence be different?

I believe I’m starting to understand that this is really what white privilege is. The simple fact that I don’t have to consider everything I do or say through the filter of my skin color. I just don’t have to worry.

But to really get it, to understand, it takes a good deal of empathy, and it’s incredibly hard to empathize with a feeling so alien that to you, it doesn’t even make sense. How can I ever understand what it’s like to live every waking moment being first and foremost judged by my skin color? How can I comprehend the conflict of wondering if my successes are going to be judged as leniency for the sake of political correctness, my failures as expected because I’m black?

I want to try something for a moment, and I’d like you to try it with me. I’d like you to close your eyes, clear your mind, and try to remember the scariest, most terrifying thing that’s ever happened to you personally. Try to picture it, remember it, and let that old feeling flow through you. It might not be comfortable, but hold on to that thought.

Got it?

What was it? Was it something physically harmful, like a car crash? Was it a painful accident you thought you might not recover from? Or was it a threat from another person – explicit or otherwise?

The Italian Dolomites, where my ten-year-old brain thought it was going to die.
Photo by eberhard grossgasteiger on Pexels.com

My answer came to me easily: climbing in the Dolomite Mountains in northern Italy, hanging on to a rope and nearly falling off a cliff. I’ll never forget just how close I felt to death – the surge of adrenaline, the churn of my stomach, the powdery dryness of my hands.

This experience reeks of privilege, when I think about it. The privilege of money. The privilege of travel. The privilege of being able to have such an experience in the first place. And the odds are, if I weren’t white, I probably wouldn’t have had that opportunity.

But what about you, reader? If you’re black, or asian, or female … what was your most terrifying experience? I wonder if it involves someone threatening or hurting you for your perceived identity – your appearance, as it were.

Here’s the thing: I wonder if segregation might almost be impossibly connected to how humans perceive each other. It’s really, really difficult to comprehend that we share the planet with eight billion other individuals, without finding some way to distinguish between them. The first, simplest way is gender – penis or vagina, two choices. Suddenly you’ve just eliminated half the world as people you have to identify with. Next up – skin color. Man, it’s so easy to just ignore everyone who isn’t the same color as me

Human society is built on these premises – despite promises of equality for all, humans are not all equal. There are rich humans, poor humans, white and black humans, gay humans and bisexual humans and hip-hop humans and death metal humans. We pretty much have to break down society into digestible numbers in order to have one at all.

The problem, perhaps, arises when one group begins to dominate the others. When men dominate women, white people dominate black people; even able-bodied people dominating disabled people. To truly live in a fair and equal world, we need to understand that we are different – but that those differences can’t continue to be leveraged to control or manipulate our positions in society.

There have been times when I, as a white male, have walked through predominantly non-white neighborhoods and felt afraid. I felt out of place, a minority, and in danger because of the color of my skin. I’ve experienced a little taste of this. But I knew that I’d soon be in a place where I would certainly feel much safer: somewhere surrounded by white people.

But this little taste helps me understand that some people in the world feel that way everywhere. I get a little scared when I get pulled over by a cop. I have a little taste of what it might feel like to be black and get pulled over by a cop. I get a little scared walking to my car at night. I have a little taste of what it might feel like to be a woman walking to her car at night. My female colleagues carry their keys between their fingers every night, and we don’t even work in (to me) a particularly unsafe area.

How do we teach our children to understand each other?
Photo by Bess Hamiti on Pexels.com

When we teach children about empathy, we often tell them to ‘walk in another’s shoes’. But I don’t know if I’m terribly fond of that analogy; the only shoes that really fit you are yours. Instead, I think we should teach children to ask questions: why does this person feel this way? What might make me feel the same? And most importantly, how can I tell them that whilst I can’t know how they feel, I understand that they do.

At the end of Rankine’s New York Times article, it struck me that, in writing about her experiences with confronting racial bias, she didn’t really come to a conclusion as to what could be done to solve it. I wondered if she’d had to edit it for length, or if she simply didn’t have a solution.

But now it dawns on me that perhaps there isn’t a fix. Perhaps society isn’t broken, just … off-balance. I once witnessed gender bias first hand at work. Afterward, I was talking to the woman who had been essentially dismissed by a male colleague and she voiced her frustration about it.

I don’t know why she thought to share it with me specifically; perhaps she needed to vent, or perhaps she thought she could trust me. But when she was done, I realized that as she’d been speaking, I’d already begun building defenses for our male colleague. I’d started thinking up reasons other than gender bias for his behavior. And somehow in a moment I realized that none of that mattered, because she still felt slighted as a woman. He could have had the best intentions in the world for interrupting and dismissing her, but he was only able to do it at all because he was a man.

So I just said, “That must really suck.”

I realize it isn’t terribly eloquent, but I’ll never forget her reaction: all she said was, “Thank you.”

Empathy isn’t about feeling the same as someone else; it’s about acknowledging that they feel that way in the first place. It’s about understanding your part in how they feel, intenional or otherwise. I believe empathy is a sorely-needed key to unraveling racial, gender, and all other forms of bias, because it allows to realize that understanding others comes not from shared experiences, but from shared emotions.

Of course, none of this changes who I am. I’m still a middle-class white male in rural northern New Jersey, and I will continue to benefit from that identity for the rest of my life. I will benefit from it not because I want to, but because society will offer me help in ways that it simply doesn’t to others. I will get fewer speeding tickets; I will make more money; I will never wonder if I was endorsed for or denied a promotion because I’m not white. All of this will happen whether I ask for it or not, unless we start to recognize what equality really means.

Equality does not mean women should be paid more because they are women; it means they shouldn’t be paid less for equal work. Equality does not mean colleges accepting lower grades for minorities to boost their campus diversity; it means accepting students based on the merits of their work and individuality, and not their skin color.

I don’t know if we’ll ever live in a truly equal world. I doubt I can do a whole lot to change that. But if I can recognize my own biases and privileges, and not shy away from it under the guise of white guilt, then at least I can understand my part in the world’s inequality – and maybe make the world better for just a few people.