Mental Wellness, Decisions, and Living in the Moment

For those of you who’ve been following me for a while, you may be aware that I’m not … entirely well, mentally. Clinically, I suffer from bipolar type 2, meaning I am often depressed, but pass through phases of unusual energy, activity, and productivity. Internally, that feels like I can’t trust myself from day to day to know how I might feel at any given moment, and that’s given rise to a sense of despair in and of itself, only because I feel like I really don’t know myself very well at all.

In some ways, it’s easier to deal with my condition when I’m severely depressed, because it’s a familiar old feeling. Somehow there’s a comfort in despair, in misery and loneliness, in knowing that nothing will ever change. It’s difficult, of course; but comforting. During those depressive phases, I sleep too much, get nothing done, can’t clean the house or even take care of myself to a large degree. It’s a huge stressor on my personal and professional relationships, and the worst part is that it’s often triggered when I forget to take (or run out of) my meds, at which point I spiral into a downfall of self-pity in which I continue to not take my meds. It can take weeks, if not months, to emerge from these cycles of despair, and when I’m down in it – to quote Trent Reznor – there’s really nothing to be done to bring me out of it except the slow progression of time.

Because of the frequency of these depressive episodes, I’ve taught myself to try and take life not even one day at a time, but literally one moment at a time; where I might be laughing at a joke one moment, I could turn into a stone wall of misery the next. It’s a rollercoaster, to put it mildly, and the only way I know how to cope with it is to not think about it. I dissociate from my own internal sense of self, and simply allow myself to feel – whatever feelings those might be, in the moment, for the moment. What’s to come is unknown, and what’s happened is forgotten in the past; there is only the present, ticking away one second at a time.

While this works well enough as a coping mechanism for when I’m depressed, it becomes a hinderance to a functional adult life when I’m not. Most people (I guess), by the time they reach middle age, have some semblance of a sense of self; they know who they are, what they like and don’t like, and how they might react to any given situation. I … do not. Living life perpetually in the moment is not as liberating as it might sound, because I really, truly don’t know how I feel about anything. If something seems like a good idea in the moment, I’ll probably go for it – even if, in hindsight, it was a terrible decision. And I can’t remember how I felt about it after the moment’s gone, nor can I predict how I might feel about it in the future. It’s a hazy mist of indecisiveness that leads me to sometimes rash decisions, and sometimes a crippling inability to make a decision.

For example: I am trying to apply to graduate school to continue my education that I left behind almost twenty years ago. This is the longest-term, biggest decision I have ever made in my life, and I still don’t know how I feel about it. Some days I’m anxiously excited to hear about my application, to know if I’m going to get in to my chosen college and be able to pursue a new career. Other times, I feel terribly overwhelmed, and questioning whether I’m making the right choice at all. I worry that I made a decision in the heat of a manic episode, and now I’m going to be dealing with the fallout for the rest of my life.

This is what I deal with every single day. What I have energy for today, I will lack tomorrow. What I feel happy about today, I will regret tomorrow. And what I did yesterday is a mystery, unknown to me why I did it or how I felt about it.

It’s a difficult way to live, but now, almost four decades into my life, I really just don’t know how else to exist. I might splurge on an excessive expense because I feel like it, and pay it off on my credit card for the next two years. I once bought a car on a whim because I wanted a new one. As a teenager, I put my hand through a window because I was annoyed at something.

But, despite it all, I know I am capable. I have written books, albums and symphonies. I have completed projects that some people only dream of starting. I know I have a strong person within me; I just can’t find him most of the time. And when I do, it feels fraudulent, a kind of self-reflected imposter syndrome. Yet, I persevere, because – at the end of the day – I don’t know how else to live.

Just one single day at a time.

Despair (2023), by Satis

In the past, I’ve used the category “Music I Love” to discuss music that has been particularly important to me over the course of my life. Anything from Mozart to Metallica, I’ve often mentioned the significance of their emotional response in me, or how it meant something at a particular time of my life.

This time, however, I’m changing it up slightly. While this post is intended to highlight music that is indeed very important to me, this time the music I’m discussing is … my own!

It may not have been made entirely clear to everyone over the course of my blogging tenure, but my background and education is in music, not writing – specifically composition. And in recent years, I’ve taken the time to reinvest in that old, forgotten passion, and write some new music.

Back in 2019-2020, I began thinking that I would like to write an album that blended the best of classical orchestration with the gritty heaviness of metal music (my two musical loves). As I began to experiment with different ideas, I realized that I could write something of a heavy metal symphony; nothing so pretentious as Deep Purple’s Concerto for Group and Orchestra, yet more focused and structured around the orchestra itself than something like Nightwish, whose music – whilst evocative and generally excellent – tends to be “orchestrated” metal. I was looking to write music that could only exist with both contrasting elements; remove one, and the other isn’t sufficient to carry the music alone.

And so was born Despair; a five-track, hour-long album of metal and orchestra, exploring themes of darkness and misery through music. It took a long time – over a year – to complete the first draft, and a year further to fine-tune the sounds, hone the orchestration, and get it to a standard where I felt it was publishable.

And whilst the follow-up, an album soon-to-be-released called Shade Under Trees of Longing, has (in my opinion) a far superior production, I am nonetheless proud to announce that Despair is now live and available to stream through all your favorite platforms: Apple Music, Spotify, iTunes, and more!

New Music Is Available!

So … when I’m not writing, it seems, I’m writing music. Whilst The Redemption of Erâth has been on pause for a few months, I’ve been revisiting some music I created between 2019 and 2021 – an album of symphonic metal called Despair.

Recently, I upgraded the orchestral sample libraries I use, and re-recorded all five tracks of the album using EastWest’s phenomenal samples and sound engine. Whilst the final result may not sound exactly like a live orchestra, it’s (in my mind, at least) pretty damn close.

So without further ado, I present to you: Despair, a suite of orchestral heavy metal in five parts, channeling the deepest, darkest emotions of human nature!

1: Depression

Depression is the first track from Despair, opening with quiet strings and horns, building to crescendo before the crushing heaviness of the metal band comes crashing in. Segueing to a softer, melodic verse section, things eventually take off with pounding guitars and drums, intertwining a full orchestra through rises and falls until a heavier recapitulation brings us to the outro – soft and quiet again, building into a sudden wall of orchestral noise and a thundering drum punctuation that leaves on a cliffhanger, waiting for the next track.

2: Anger

Bursting in with furious strings and brass, Anger ups the pace and energy tenfold, a full orchestra blasting away until dropping out suddenly to allow for the metal band to take over with churning, grinding riffs. Never giving in to a slower beat, the song carries forward in a kind of scherzo-and-trio format, building to a climax before a middle section that leads again with devastating riffs, before recapitulating to the opening. Finally drawing to close with every instrument at full tilt, Anger is a crushing ode to unbridled fury.

3: Fear

Opening with a rumbling, unsettled bass line, Fear is deliberately the most disjointed piece of the suite, wavering between numerous time and key signatures throughout. There are moments of melody interspersed between longer passages of chromatic atonality, but the overall mood is one of anxiety and unsettled, indescribable fearfulness.

4: Grief

Almost entirely orchestral (the band comes in only briefly at the very climax of the piece), Grief takes us through a journey of pathos and heartbreak, with sweeping strings and devastating horn lines drawing influence from the raw emotion of the greatest of classical composers – Tchaikovsky, Beethoven, and more. From the soft, distant opening to the thundering timpani that bring the song to a heaving climax of sadness, Grief will tug at your heartstrings and (hopefully) give you chills at all the rights moments.

5: Despair

The epic conclusion and title track, Despair opens with a hammering timpani roll and huge, crashing chords from the band and full orchestra – nearly a full two minutes of opening to a 20-minute track that winds through many layers of instrumentation before coming to a quiet close halfway-through, only to burst back into life with grand horns and strings sustaining the melody over churning guitar riffs. Through a varied development we finally return to a grand reprise of the opening, announced with a huge gong crash, before moving on to the closing of the song, and the album, with a revisiting of the very opening of Depression, bringing the full album to a close.