The Redemption of Erâth: Book 2, Chapter 7

Chapter 7: An Unlikely Encounter

The nameless old man’s home seemed impossible to Brandyé; a door in the trunk of an enormous tree, low so that he had to stoop, and then stairs that led deep below the earth. Had Brandyé not been following him, he would have passed the entrance unaware of its existence. It made him wonder whether there might not be other homes in the forest that he had passed.

At the foot of the stairs was a cave of earthen floor and walls, yet it was clean and warm and comfortable. A hearth had been carved from the wall at one point, and a welcoming fire blazed within it, the smoke whirling inexplicably up and out of the cave, though there was no obvious opening. Candles burned here and there so that the cave was well-lit, and Brandyé could see the clutter and paraphernalia of a well-lived home.

There was a passage that led from this main room, but it was dark and the old man did not bother with it. Instead, he beckoned Brandyé to sit at a small table near the fire, and fastened a kettle above the flames. “Ah!” he said. “We shall have tea indeed, soon.”

Brandyé was still so utterly mystified that he could but act as though all of this was utterly normal, and asked, “Is there any biscuit, or bread?”

“No,” replied the old man. “But there is something better – caterpillar loaf.”

Brandyé was not sure he had heard correctly. “I beg your pardon – did you say caterpillar loaf?”

“I believe so,” said the old man. “Did you hear something different?”

Brandyé shook his head. “Is it what it sounds like?”

The old man frowned at him. “What does it sound like to you?”

Brandyé was befuddled. “It sounds like it is made from caterpillars.”

The man smiled. “Then so it must be! I grind them and bake them – it is quite a treat.”

And as Brandyé watched, the old man bumbled about, gathering mugs and plates and knives, and from a pantry in the wall brought some butter and what appeared to be a small loaf of bread, but of a greenish color. Brandyé felt bile, but insisted to himself that he at least be polite with this strange person.

Soon the kettle was whistling, and the old man unhooked it from the hearth and poured it into the mugs. He then ground herbs into the steaming water, and suggested they wait a few moments while the tea brewed. He cut a slice of the loaf, and offered it to Brandyé. “I prefer mine plain,” he said, “but you may wish to have some butter with yours.”

Without a word, Brandyé took the loaf, and inspected it carefully. He saw no legs or antennae or other signs that it was made of what the old man had suggested, but it certainly was not bread as he knew it. With a knife he cut some butter, spread it over the slice, and took a bite.

He was quite surprised to find that it in fact had quite a light and sweet flavor, and as the scent of the tea began to reach him, he realized it was a perfect compliment. “It is quite good,” he said with his mouth full.

“Thank you.” The old man smiled. “The butter is made from flies’ eggs.”

Brandyé stopped chewing, and focused upon the man once more. “Truly?” he mumbled.

“At least, that is what I put into it.”

Brandyé paused, and wondered if he could swallow what was in his mouth. After a moment, though, he recalled that he had eaten things not so dissimilar during his solitude by the Black Sea, and in any case, the knowledge hadn’t changed the flavor, which was still pleasant.

“Is the taste familiar?” the old man asked.

“It is,” Brandyé admitted. “Some years ago I was forced to live on my own with no provisions. There were occasions when such things were all I could find, though I burned them first.”

“Interesting,” the old man mused. “Shall I burn your loaf for you?”

“No – it’s very nice the way it is.”

“I am glad,” the old man said. “I am glad also, that we should meet. I have wished to speak with you for some time.”

Brandyé took a sip of tea, and said, “I do not understand you. You act as though you know me, but it is impossible that we should have ever met.”

“It is?” The old man seemed curious, and amused. […]

Read the complete chapter here.

Daily Photo: March 23, 2012

No, they're not tiny…

No, they’re not tiny…

Giant chess was yet another of the luxuries on our wonderful cruise.

 

Camera: Nikon D90          ISO: 200          Aperture: ƒ/8          Shutter speed: 1/250

Movie Night: Stop or my Mom Will Shoot

Year: 1992

Director: Roger Spottiswoode

Production Company: Northern Lights Entertainment

Leads: Sylvester Stallone, Estelle Getty

stop-or-my-mom-will-shootThis was a strange movie, and I have a feeling it was an attempt to capitalize on Arnold Schwarzenegger‘s foray into family comedies (e.g. Twins). Sylvester Stallone should not do family comedy.

Sylvester is a New York cop in L.A. with everything going for him…until one day his mother decides to visit. Sly obviously has mother issues, because he spends the first twenty minutes of the movie trying to call her – to tell her not to come.

It turns out he can’t stop her. How could he? She’s a New York jew (yes, that’s right; Sylvester Stallone, the Italian Stallion, is playing a jew). She arrives, and of course all sorts of chaos ensues. Never mind that she tries to stick her nose into his love life (with his superior on the force, no less), she also vacuums at three in the morning, makes breakfast for twenty, and washes his gun.

It turns out this is an important plot point, because she tries to make it up to him by buying semi-automatic weapons for him from a truck in a back alley. Unsurprisingly, she ends up witnessing a drive-by shooting, and becomes pivotal in tracking down arms smugglers. She, of course, won’t say anything until her son is put back on the case.

Eventually Sly and his mother begin to reconcile, and when the bad guys capture her, it’s time for him to burst in, guns a-blazing. Sort of. The showdown of the movie involves Sly on the ground incapacitated, and his mother blowing away the bad guy with a gun larger than her head. Oh, and he finally makes it with the captain, and they get married. Or something.

The absolute honest truth is that this movie didn’t have a lot going for it. It’s a shame; Sylvester Stallone is an under-rated actor, and Estelle Getty was reasonably humorous. The problem is that the screenwriters didn’t have the guts to push beyond the comfort zone of stereotypes, clichés and tired one-liners. There weren’t any really bad moments in the movie…there just weren’t any really good ones, either. The cast is entirely predictable; the sexy love interest, the overbearing mother, the over-manly protagonist who can’t express his true feelings, the peer who’s got it out for the good guy, the bad guy bent on smuggling those weapons and getting away with it too, if it weren’t for that pesky mother.

I can’t say it felt like a waste of a movie night, but there just wasn’t anything special about it. Oh well. Better luck next time, Sly.

★ ★ ★ ☆ ☆

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