I was thirteen when I was taken, with my school class, to see a preview screening of Amistad. I was probably a little too young, and a little too sheltered, to really understand what I was watching, because I mostly remember the murder scenes more than anything. But I’m glad I was given that opportunity, because it opened my eyes to a brutal history that is often glossed over.
Of course, if you’ve seen Amistad, then you know that, like with almost every other film Stephen Spielberg has ever made, it has a feel-good ending that makes you forget about the atrocities you witnessed up until that point. And as satisfying as it is to have a well-rounded, happy conclusion, I think it does a disservice to the reality that Africans were subjected to as they were kidnapped, brutalized, and enslaved.
I think we have a deep propensity to sanitize horror and tragedy in history, whether it be through schoolbook facts or Hollywood entertainment. We glorify the martyrs, shy away from morally gray characters, and conveniently skip over anything that might make us – the majority – feel uncomfortable about our past. Think about what we learn in history about Hiroshima and Nagasaki, and how the murder of 200 thousand civilians is defended as necessary to have ended World War II. Think about movies like Braveheart, which idolizes a man who was in every way as violent, brutal and vile as the supposedly ‘evil’ English.
History is, of course, written by the victors, and is often less than truthful. It’s hard for me to even come to terms with the fact that idolizing Christopher Columbus – a staple of my elementary school history lessons – is glorifying a man who instigated the systematic extermination of millions of Native Americans. I was taught, from a very young age, that I belonged here more than those whose ancestry stems back to the dawn of humanity. That this country was my country, and I should hold in the highest regard those who made it possible for me to live here. Even Ridley Scott made me believe this with his 1992 film 1492: Conquest of Paradise.
Film has, since its inception, been predominantly white, written for by white people, directed by white people, and acted in by white people. Even movies that try to tackle racism and historical horrors such as slavery are often thought of by white people (think back to Amistad – directed by Stephen Spielberg, written by David Franzoni, and produced by a host of people – only one of whom was black). This means that, if we rely on film to educate us about the past – especially older films, like Gone with Wind (more in a moment) – we’re relying on a white narrative of black history.
There isn’t, of course, anything inherently wrong with a white writer or director wanting to shed light on the racial horrors of the United States’ exceptionally bloody history – these sorts of stories should be told – but to do so without perspective from the people who still today live in the fallout is at best ignorant, and at worst deliberately misleading.
There are people who are outraged that movies like Gone with the Wind are being taken to task for their portrayal of slavery, particularly when they depict slaves as content with their lot, and their white masters as overall caring and benevolent. This is a nice narrative; it makes us feel better, because we can say hey, look – not all slave owners were bad people!
The problem with this is that the focus is shifted from how those slaves were obtained, and the utter lack of basic freedoms they experienced, to the kindness and benevolence of white people toward those less ‘fortunate’. To paraphrase, we frankly shouldn’t give a damn – it doesn’t matter how nice they seem, or are portrayed – they owned people like … horses, or bicycles. Human beings, capable of thought, reason, emotion and love, living generation after generation in captivity like rats.
Now of course, there’s always the ‘period’ argument – we shouldn’t judge things in the past because things were ‘different’ then. What seems wrong today was considered normal back then.
Well no shit – otherwise we wouldn’t be trying to change things! And whilst it’s certainly true that standards have changed over the years, there were plenty of people going back centuries who never owned slaves – even when they could have.
The difficulty is, of course, to find a line between historical context and censorship. Pulling Gone with the Wind from HBO Max can feel like a slap in the face to artistic history, and a disservice to the original novelist and a film that has been considered one of the best movies ever made. Let’s not forget, it allowed Hattie McDaniel to become the first African American to win an Oscar.
But the idea that it needs historical context is relevant. The movie is over 80 years old – it’s not just a classic, but quite literally a piece of history. And like all history, it should be studied within the context of its time. Without that context – and a deeper understanding of the truths of slave-owner dynamics during the Civil War and beyond – it becomes a dangerous piece of propaganda, in which we’re led to believe that black people are nothing more than servants to their white masters.
A question I’ve started to ask myself, particularly when considering historical dramas, is whether the film would have been different if written, directed or produced by a black person. What nuances would be changed? What story elements would be emphasized, or minimized instead? What characters would be given more depth? If the answer is no, it wouldn’t have been any different, then you probably have yourself a pretty solid piece of unbiased cinema. But I challenge you to find one.
There has been a surge, or so it seems, in black-written and black-produced cinema recently (I think that it’s really just been given more spotlight in the past few years, but I don’t have numbers to back that up), and that’s a good thing. But I think that more can be done to listen – and watch – the stories of those whose ancestors suffered – and who to this day continue to suffer – prejudice, racism and oppression.
There’s good news, though. As difficult as it is to see at times, and as slow as the progress might be, I feel that the world is slowly waking up to the idea that history does not equal truth. We all have our own perspectives on current events, but it’s harder to have perspectives on history, simply because we cling so tightly to what we’re taught as children. But for every Robert E. Lee supporter, there are a few others who are willing to open their minds to a possible alternative.
I’ve been thinking a lot recently about the concept of being an ally vs. a rescuer, and how what the black community seems to be asking for – has perhaps always been asking for – is for allies. When a white person makes a movie about a black person, without consultation, permission or involving their experiences, we’re falling into the realm of rescuer. We’re trying to show the world that racism is a bad thing – without even asking those who suffer from it.
I’m not saying that Spielberg should hang up his hat, or that Kevin Feige should step down from Marvel; there are many, many talented white people in Hollywood who are fantastic storytellers. But there are certain stories that aren’t ours to tell, and I think it’s about time we allowed others to make their voices heard.
About a week ago I woke up with a sore throat. Nothing outrageous – what felt like a little back drip, maybe from allergies, but I felt slightly achey, too. I’d been through periods of feeling somewhat unwell already over the course of the past four months, so I didn’t wonder too much about it, although I’d be lying if I said the thought didn’t cross my mind: what if it was COVID-19?
I’m not usually given to paranoia, which can at times be a strength, but the opposite can lead to denial, which is just as dangerous. For a week now, I’ve been living in denial about the possibility of having contracted COVID-19, going about my day, stuck at home, working and sleeping and all of that good stuff. But the feelings of slight unwellness didn’t go away, and this morning after my shower I thought I might be feeling slightly feverish, too.
So I made an appointment for tomorrow at a local urgent care, and … well, we’ll soon find out. But the thought processes in my head over the past week have, I think, taught me something about fear and denial.
I wouldn’t say that there’s much in this world that truly frightens me. I’m not scared to walk through a parking lot at night; I’m not scared of dying in a car crash; I don’t feel afraid of potentially threatening people most of the time. At most, I feel uneasy, perhaps afraid to act at times, but I don’t live in fear, for the most part, most of the time.
But I have to ask, of course, why I don’t live in fear. I mean, there are a lot of scary things out there in the world, and logically it makes sense – even from just a self-preservation perspective – to be afraid of them. Be afraid of alligators, be afraid of men with guns, be afraid of drunk drivers. These are real things, and they can really cause you harm. And I think the answer is that I largely deny these things entrance to my thoughts – I just don’t think about them, or consider the full extent of consequences of coming across them.
To an extent, I think this form of denial can be healthy; after all, if all of us worried all the time about all the things that can hurt us, we’d all be completely paranoid, and society would crumble. But taken to an extreme, and it can be almost as dangerous as thinking too much about things. On a personal level, my denial of the possibility of having COVID-19 could lead to a delay in treatment, which could lead to much worse complications. On a social level, it could be argued as outright irresponsible to my family and those I forcibly interact with (say, at the supermarket) to not have been tested sooner, as I walk through the world infecting all those around me (maybe).
And sometimes, we need to confront our denial the greater good of humanity. Denial is a strong coping mechanism to trauma, but it has its limitations. For example, there is a great deal of fear in the world right now around racism. Black communities fear, as they always have, that the protests and voices being raised now in the wake of George Floyd’s death will eventually be silenced, and they will continue to exist in a place where they fear for their lives because of the color of their skin.
But there are white people who are afraid, too. Afraid of the consequences. And I don’t mean in the sense that there are white people who are afraid black people will take their jobs, or steal their wives; I mean, there might be some, but no – the worse consequence of facing the racism in this country is that it is forcing people who would have otherwise lived in denial to see reality for what it is. White people who are afraid that, if they are forced to confront racism on their front lawn, it might reveal them to be racist themselves.
Think about it – the easiest way to deal with racism is to ignore it. Deny its existence; spout ‘all lives matter’ rhetoric and claim to be ‘colorblind’. Pretty much everyone, I think, is in agreement that racism is bad; but very few people are willing to admit that they might be bad themselves. Very few people have the courage to face their own racism, and to acknowledge that they are a part of the problem. But we have to – we have to, or we can’t be part of the solution.
So listen; if I can overcome my own denial about COVID-19 and accept that I need to get tested, then surely as a community, as a country, we can overcome our own denial of prejudice and racism and accept that we aren’t just part of the problem – we are the problem. And it’s a fixable one, too. It won’t be easy or quick, and will take check-ins every day to see how we’re doing in being allies to oppressed minorities. Some days we’ll do better than others. But if we can at the very least recognize our part – each one of us – in the systemic oppression of black and minority communities across the country, then perhaps things can slowly change for the better.
It’s okay to be afraid that you might have racist thoughts; it’s okay to be afraid of conflict, especially internal conflict. But the worse option is to continue living in denial.
Don’t live in fear; but don’t live in denial. There’s a happy medium.