Of a Great Person

About a month ago, the world lost a soul. Not a celebrity; no one famous. One of thousands who die daily for no reason other than it was their time to go. It was no global catastrophe, no tragic demise; simply the passing of someone who lived their life simply, selflessly, and straight to the very end.

Death is oddly easy to come by, yet so far from easy for the people who knew the deceased. Funerals, wakes, memorials and services and wreaths and tombstones … all these efforts are done not for the person no longer with us, but for the people left behind. And it kind of sucks, because the last thing you want to do when you lose someone is worry about funeral arrangements and burial costs. Mounting bills and gathering family last-minute hardly fills the void left by the departed in your heart, but these processes perhaps hold some value, because they’re a painful reminder that in the dead’s absence, life goes on. The world doesn’t stop turning. Work gives you a few days off, and then it’s back to the grind.

So before I discuss what I think was important about the departed, I need to recognize my wife’s strength, resilience, competence and willfulness as she laid her father to rest. She mourned and wept, and amidst it all simply made shit happen. No one asked her to, and she didn’t need to be asked; there was little doubt as to who would bear the heaviest burden of actually giving her father the rest he deserved in the best way possible. Her family attended what she arranged.

This strength didn’t grow in a vacuum. My wife has led a difficult, troubled and at times traumatic life, but her strength grew from the person who raised her: her father. For whatever suffering she’s dealt with, her father almost certainly dealt with just as much. From a lonely childhood to war service and the mental breakdown of his wife early in their marriage, he suffered and fought for fairness and justice like no one I’ve ever known, and he did it entirely for his children – his legacy.

You see, whenever someone dies, you can’t help contemplate their importance; you can’t help but wonder what impact they left on the world, and if their life really mattered much – or at all. These are – on the surface – easy questions to answer when said deceased was known to the world at large; the world is immeasurably worse off for the loss of Robin Williams, or Chester Bennington, or [insert celebrity here], because of course these people made an impact on our psyches and left indelible impressions in our emotions. We miss what these people could have brought to the world, and reminisce about what they left behind. We feel like we know these people, and their deaths definitely leave a void behind.

But what about the residual importance of those deaths that are a little closer to home? What about when our father, or our brother – uncle, or grandparent – dies? What if they spent their life toiling in a factory making communications circuitry? What if they sacrificed any possibility of renown for the happiness of their own children? What if they were, ultimately, forgettable to all but their closest family?

I say this makes them not less important, but all the more so.

This argument, of course, comes down to how one chooses to measure the importance of a person’s life, but I think it’s fair to say that an individual’s significance can be told by the impact they made on others – the influence they had on the people who knew them. And in this argument, I believe that the true measure of influence is in its quality, not its quantity. It doesn’t matter that Robin Williams made millions of people passingly happy, whilst my father-in-law might have done so for fewer than a dozen folk in his life, because the depth of influence is immeasurably greater on the latter.

My wife’s father was quiet, humble and generally inconspicuous, and if you never had the chance to talk to him and get to know him, you would never guess the tragedy and trauma hidden behind his soft brown eyes. Many other men, I believe, would have walked away from similar circumstances given half a chance, and yet he spent years balancing a tenuous living and desperately fighting through courts to win his children back after their mother suffered a nervous breakdown early in their life. He abandoned career ambitions and sacrificed his personal life entirely to ensure that his children had the best life he could provide for them.

And that life he gave them formed the person who is now my wife. For as long as I’ve known her she’s idolized her father; looked up to him as an example of virtue and strength of character. She’s modeled her own life on many of his characteristics, and the upbringing of our son is a testament to his own work in raising her. He was her mentor, her confidant, her advisor and friend.

So in looking back on his life, does it matter that he was wounded in the Korean War saving others’ lives? Or that he build the communications systems that sent men to the moon? Does it matter that he was disowned by his Jewish family for marrying a Catholic woman? Or does it matter that, when the odds were stacked against him and the chips were down, he soldiered through to protect his children, because their own happiness was the only thing that mattered to him?

I like to think that the measure of a person’s importance is not in whether they influenced a million people or only one; it isn’t in whether a person goes down in history or is forgotten to the annals of time. It’s in the subtle influence they leave on those closest to them, and whether that influence was to their benefit or detriment. And in considering my father-in-law, the influence and legacy he left behind is in the person my wife became, and her siblings, and his grandchildren, and – perhaps one day – theirs.

And so I suggest that he was as great a person as any out there. He didn’t write books that changed the world; he didn’t leave behind a canon of film or music or scientific achievements. He left behind, quite simply, a strong, virtuous woman, who will remember him with love for the remainder of her own life. He changed her world, and I think that’s at least as important as any other.

He used to say that he just wanted to be remembered and thought of. I don’t know how he wanted to be remembered, or by whom, but I remember one thing clearly. A few years ago I had the opportunity to talk to him one-on-one, and I asked him simply what he wanted. What, I said, would make him happy?

His answer was to see his children happy. Nothing more, and nothing less. The same driving motivation to keep his children happy never wavered from the moment they were born until the moment he died.

If that isn’t a worthwhile legacy, I don’t know what is.

Tales of Despair: Scars and Scratches

I have alluded to this many times in the course of this blog (in fact, I’ve probably outright stated it before), but I used to self-harm. For the peace of mind of Mrs. Satis, who sometimes reads these posts, I should state that I haven’t lifted a blade to hurt myself in over ten years; in fact, I stopped around when we met, and partly because of her. But there was a time in my life when cutting my skin was an enormous part of my identity, and I of course bear the scars (both physical and emotional) to this day.

I’m not ‘better’, and I doubt I ever will be.

There’s a wide range of reasons why people hurt themselves, and just as wide a variety of methods. From cutting to burning to starving oneself (Princess Diana once said she used to throw herself down stairs), self-harm can often be an outward reflection of the emotional pain someone is enduring every day. It’s often associated with suicide ideation, but I don’t think that’s quite fair; the people who hurt themselves (myself included) might often dream of and think of ending their lives, but the harm itself is born out of a burning desire not to die, but to feel alive. Although it might not look (or feel) like it, self-harm is usually topical and superficial, leaving little lasting harm. My deepest scars are not on my wrists; they’re on my upper arm, a fleshy place that was easy to cut deep without doing serious damage.

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Music I Love: “The Days of Grays”, Sonata Arctica (2009)

Don’t forget, you can be reading your copy of The Redemption of Erâth: Consolation in just a few minutes for only $3.99! Click here to buy.

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Track Listing:

  1. Everything Fades to Gray (Instrumental)
  2. Deathaura
  3. The Last Amazing Grays
  4. Flag in the Ground
  5. Breathing
  6. Zeroes
  7. The Dead Skin
  8. Juliet
  9. No Dream Can Heal a Broken Heart
  10. As If the World Wasn’t Ending
  11. The Truth Is Out There
  12. Everything Fades to Gray (Full Version)

 

Sonata Arctica are one of Finland’s finest metal exports, having released increasingly complex and progressive albums since their 1999 debut, Ecliptica. Although their origins are firmly rooted in Scandinavian power metal (their first few albums are strongly reminiscent of fellow Finns Stratovarius), their music has become much more refined over the years, with last year’s release Pariah’s Child having only a few tracks that could truly be called ‘power metal’.

Sonata Arctica’s breakthrough album was their sophomore effort, Silence (2001), a sprawling 15-track epic that at times harkens to their influences in 70s and 80s power rock such as Scorpions. They followed this with Winterheart’s Guild (2003) and Reckoning Night (2004), but it was with their fifth album, Unia (2007), that their style truly matured into something unique and different from the many other power metal bands around them. Losing the blastbeats and double kick drums, Unia saw more sophisticated songwriting and album planning (the songs flow beautifully one into another), and although they reintroduced some of the power metal influences with The Days of Grays in 2009, this more progressive style has remained with them ever since.

The Days of Grays is one of their most important albums for me, because it was largely the soundtrack to The Redemption of Erâth: Consolation when I was first writing it. I immediately fell in love with the haunting and sad introduction Everything Fades to Gray, and the forbidden love story of Deathaura echoes the unspoken love between Brandyé and Sonora (in my mind, anyway). However, it’s the third track, The Last Amazing Grays, that truly stands out for me as a song that speaks for everything in Consolation, with its reminders that everything is doomed to fade and die eventually:

“I feel the time is catching up with us

How many days until its hunger is satisfied

Living the final golden days, we are the last Amazing Grays

Hoping the young will lead the pack now”

Sonata Arctica, The Last Amazing Grays (2009)

I played this song endlessly on repeat whilst writing the death scenes in The Redemption of Erâth: Consolation, and it probably explains the tears when they died (don’t want to spoil too much if you haven’t read it yet!).

Other standout tracks include Flag in the Ground, an epic tale of adventure and freedom (the most ‘power metal’ song of the album, and the most upbeat, too), and Juliet, the third part of a series of songs started with The End of this Chapter on their second album, SilenceAs If the World Wasn’t Ending and The Truth Is Out There lead into the dismal finale, a reprise of the opening track, but this time with vocals and a majestic, hope-dashing conclusion.

Sonata Arctica followed this album with 2012’s Stones Grow Her Name and last year’s Pariah’s Child, which though both excellent albums, don’t quite match the grandeur and sadness of The Days of Grays. If anything their style has become slightly poppier and a little more upbeat, which isn’t always to my miserable taste. If you were looking to get into Sonata Arctica for the first time, you could do worse than to listen to this album.