The Redemption of Erâth: Book 2, Chapter 15

Chapter 15: A Party of Three

For many moments there was a silence, as Brandyé and Elven stared in shock at where the fierund had plunged into the dark water. It was Kayla who broke it first, approaching them with her bow still in hand. “You are fortunate I happened by, it seems,” she said.

Brandyé stared at her, speechless, but Elven frowned and said, “How is it you happened by at all? It seems a strange coincidence that you should appear just as the beast attacked, and armed.”

Brandyé gaped at him, and hissed, “She saved our lives – you should be grateful!”

“If you must know, I asked her to join us,” said Elỳn. “I thought she might help us with our crossing.”

To Brandyé this sounded more than reasonable, but Elven said, “Then why bring a bow?”

But Kayla merely said, “There are fierundé about,” and indicated the water.

Elven appeared ready to continue the argument, but Elỳn said, “Come – we should not delay. I thank you, Kayla – we might all be dead if you had not come.”

Kayla nodded, and slung the bow over her shoulder. She moved toward the boat, and – somewhat reluctantly, it seemed – Elven moved aside to allow her to board. Elỳn grasped the boat’s stern and with a great heave launched it into the water. In a smooth motion she leapt into the boat with them, and before long the land had disappeared into the mist, and they were floating silently, lost in the darkness.

There were two oars in the bottom of the vessel, and wordlessly Elỳn and Kayla took them up and began to propel them forward, away from the Illuèn’s island and toward the shores of the lake, where they would once more enter into the Trestaé, and resume their journey – to wherever it might lead. Brandyé began to feel uneasy at the thought, knowing that whatever he and Elven might think of their skills in combat, they would nonetheless be at the mercy of the fierundé, and whatever other beasts and creatures might roam the forests as they continued north.

He looked around them into the dark, trying to see where they might be going, but despite the faint glow emanating from both Elỳn and Kayla, he could see nothing but the very edges of the boat. With a nervous curiosity he leaned over the hull and lowered his hand into the water. The lake was icy, and rushed through his fingers – Elỳn and Kayla were clearly moving them at a prodigious pace. “We are moving very fast,” he whispered to Elven. In fact he was unsure why he was whispering, other than it felt unnatural to speak loud in such dark and such silence.

“Do you know where we are going?” Elven whispered back.

“We are traveling northeast,” Elỳn replied. “It is the shortest way between our island and the shore – perhaps ten miles.”

Brandyé withdrew his hand from the water and asked, “How soon do you think we will arrive?”

“Perhaps an hour – perhaps less,” said Elỳn. Then, with a sudden look at Brandyé: “Do not put your hand in the water again; there are many creatures in these waters that would hunger for your fingers.”

With a shiver Brandyé looked back toward the water, suddenly imagining things with scales and spines and jagged, sharp teeth darting here and there just out of sight. His mind was recalled to the last time he had been in a boat in the dark, floating along the Tuiraeth bound to a mast and unable to move. He had been certain then that there were great creatures in the deep, and wondered what manner of beasts might dwell in the immeasurably deeper waters of this lake. Then he recalled with a memory of horror the dreadful sea monster that had swallowed an entire Cosari vessel and sent Khana’s own ship crashing upon the rocks. Frightened, he withdrew further into the boat and did not speak again until nearly an hour has passed, and they were approaching their destination.

By that time a wind had risen, and the mists were lifted; the faintest gloom of day light was beginning to appear in the clouds above, and Brandyé found he could see ahead of them some way. Perhaps half a mile before them rose tall cliffs from the deep waters, and it seemed it was to these that they were now heading. Elỳn appeared to notice his stare, for she said, “There is a rock passage in the cliffs that leads high above the shore. It gives a safe route from the lake, and it is protected from fierundé and other creatures.” […]

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A Gothic Symphony: Therapy Transcript

STEVE: Hello, Amy. It’s good to see you again. How are you today?

AMY: Fine.

STEVE: That’s good to hear. What’s been going on this week?

AMY: I don’t know. Nothing.

Pause.

AMY: My dad hates me.

STEVE: Why do you say that?

AMY: ’Cause he does. He’s always yelling at me.

STEVE: Okay. Why does he yell at you?

AMY: I don’t know. ’Cause he’s an asshole.

Pause.

AMY: He shouted at me about the stupid dishes.

STEVE: What did he say?

AMY: I don’t know. Some shit about money and how he works hard all day.

STEVE: How did that make you feel?

AMY: Angry.

STEVE: What did you say in return?

AMY: I told him mom works too.

STEVE: What did he say about that?

AMY: He went and got drunk. Then he fucked mom.

STEVE: Did that upset you?

AMY: Yeah.

Pause.

STEVE: What did you do?

AMY: I listened to music.

STEVE: Did you cut?

AMY: Yeah, but it didn’t have anything to do with that.

STEVE: Was it to see the blood again?

AMY: Yeah.

STEVE: Why is seeing the blood important to you?

AMY: I don’t know. It just looks pretty.

STEVE: May I see?

Pause.

STEVE: They don’t look too bad. Did it hurt?

AMY: Not really. It’s like, if it’s sharp enough you don’t even feel it.

STEVE: Do you wish it did hurt?

AMY: No. I don’t like pain. Why?

STEVE: Often self-harmers will do it because they feel it’s the only way for them to feel anything. To break through the numbness.

AMY: I don’t want to break through the numbness. I like it.

STEVE: Why is that?

Pause.

AMY: I don’t know. It’s…like it’s comfortable.

STEVE: Can you tell me more about that?

AMY: I don’t know. It’s like when you’re wrapped up under the blankets and all the lights are off, and there’s just…nothing, it’s like you’re in this deep black place where there’s just nothing, nothing around you, no people, no things…it’s not even like you’re floating, it’s just warm and comfortable and black. Deep down, down below everything else.

STEVE: Like a grave?

AMY: Yeah, I guess. That’s one way of looking at it. Yeah…I like that. Like a grave.

STEVE: Why is being in a grave comforting to you?

AMY: ’Cause it’s safe.

STEVE: Interesting. What are you safe from?

Pause.

AMY: Everything.

STEVE: All the things that can harm you?

AMY: And all the thing that can’t. Just…everything.

STEVE: Can you give me examples of things you want to be safe from?

Pause.

AMY: I don’t want to talk about it.

STEVE: Okay.

Pause.

STEVE: Is there anything else you would like to talk about?

AMY: I don’t know.

Pause.

STEVE: Last week you talked about how your parents are going away for your birthday. You said they did ask if you were okay with them not being there.

AMY: It’s not like they wouldn’t have gone anyway. They don’t give two shits about me. […]

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A Gothic Symphony: Chapter One – Beginnings

It is a dark city on such a late summer evening. The sun is blood over the rooftops, and the girl in the park is sitting in the last rays passing between the old brick buildings.

It is a small park, of course; not much more than a few benches and a couple of old trees, but it is a refuge in a town that is huge, and busy. The trees haven’t begun to turn yet, and the grass and paths are golden in the spaces between their leaves. There are people, and they pass through, but they are few, and don’t spare the girl a glance.

The girl is sixteen; looks fourteen. The cigarette hangs in her hand, ash burned back almost to her fingertips. Black hood over her head and black jeans to her boots, she’s like a darker shadow in the shade of the trees. A lock of crimson hangs forward, and the small silver nose ring glints a little. Under the hoodie is a lace top, black also, and at her breast is a silver pendant: a silver crucifix entwined with snakes. A choker holds a black glass heart with a skull inside to her throat.

Her eyes — hazel, and green — are on the ground, and they wince as the ash burns to her fingers, but she doesn’t let go; only bites her black-stained lip. Not until the purse by her side vibrates does she drop the butt, conscientious enough to crush it. She reaches into the bag, past the driver’s license that says she’s sixteen and the ID that says she’s eighteen, to pull out the battered phone. The little screen says where r u.

She fiddles and sends a reply; stows the phone again. She raises her eyes — not her head — and looks: the trees, the pigeon, the passers-by. There is a moment, brief, when only the girl and the squirrels are in the park, and she gets up, the purse strap across her chest and her hands deep in the hoodie.

Her walk is slow, a little shuffling, her head always down. Her boots are good leather, well-worn, and tap gently against the pavement. They guide her along a path out of the park, though she steps to the grass to avoid the people who are once again passing through.

Where she leaves the park is a sidewalk that runs along the narrow street, cars parked tight in the gutter. She turns onto this; follows the iron fence to the corner. Her head is always down, and she steps onto the street to a screech and the blast of a horn.

Stopped in the middle of the street, a battered pickup continues to scream at her, also stopped in the middle of the street.

“The fuck, girl! What the hell’s wrong with you?”

And she looks up now, and stares at him; her breathing is quick and her eyes empty.

“Get the fuck out of the way!” […]

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