Thought of the Week: Faltering

I must apologize for my absence on here. It’s been a month since my last Thought of the Week, and the truth is I haven’t been having a lot of thoughts lately. My depression is continuing to worsen, despite the fact that I’ve returned to my medications. I haven’t even opened Scrivener in the past month, much less written anything for The Redemption of Erâth. I haven’t even thought about it.

It’s even gotten to the point where my day job is being affected. I don’t think anyone at work will have noticed, but I can barely make it through a day there, now. I wrote last month about how my work is often a last bastion of positivity for me, but these days even that is faltering. I find myself wanting to escape to my car and fall asleep, or just turn my back on the people I’m interacting with and walk away.

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Thought of the Week: Failing Progress

I’m definitely depressed. I haven’t written of word of The Redemption of Erâth: Ancients and Death in two weeks, and I spent most of today sleeping. Last week I moaned about being depressed as well, and how it luckily doesn’t seem to affect my work. This week I can’t even think of anything to write about, so I’m going to moan about being depressed all over again.

Those of you who’ve been following this blog for a while know that depression is a common theme that crops up on a fairly frequent basis. It’s one of the main literary themes running through The Redemption of Erâth. It’s something I’ve suffered from for the vast majority of my life, sinking in its teeth as a teenager and never since letting go. Counseling, therapy, many forms of medication … nothing seems to permanently help. I might feel lifted briefly here and there, and sometimes I can even get some writing done, but in the end it always comes crashing down.

The disease itself makes seeking help very difficult.

The worst part is, as any sufferer of depression knows, the disease itself makes seeking help very difficult, if not outright impossible at times. I simply cannot pick up the phone to make an appointment with my psychiatrist. I haven’t seen my therapist since before Christmas. I owe them both money I don’t have. I need to renew my prescriptions, but even the visit to the pharmacy seems daunting and overwhelming.

Incidentally, it’s very depressing to not have any money. I made $2 from my book last quarter, and that was from me buying it as a test.

It’s not that I necessarily want to feel this way, although the relief there is in giving up is certainly enticing. I’d like to write more of Ancients and Death very much. I’m only a couple thousand words away from finishing chapter ten, and then I can move back to the far more interesting stuff going on with Elven. I feel very close to a goal, but I just can’t find the willpower to reach it. I’ve spent three entire days off work doing absolutely nothing. Days I should have been writing.

I’m failing my work, and I’m failing myself. I’m failing my family, too. They rely on me to get things done, and I just can’t do it. I can’t cook. I can’t do the dishes. I can’t clean the house. I feel like a great failure, and therein lies the viciousness of depression: the more depressed I get, the worse I feel about myself, and the more depressed I get. It’s a cycle that for me only time can break, and there’s no telling how long it might last for.

Here’s to another wasted day; another wasted week, and another wasted life. Perhaps tomorrow I will be able to write, but I wouldn’t bet on it.

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Thought of the Week: The Seventh Magpie (Review)

Last week I introduced you to a new book by first-time author, Nancy Chase, called The Seventh Magpie. This week I come to you bearing good tidings: it is everything I hoped it would be, and more.

The Seventh Magpie is billed as a “dark fairy tale of loss and renewal”. I would possibly debate the tag “dark”; so many things these days are dark, and inasmuch as death, grief and despair are dark, this story has just as much darkness as a traditional Hans Christian Anderson tale. As far as calling it a fairy tale … it is on par with the aforementioned master, if not, in places, better.

[the writing is] minimal, yet laced with a lyricism that never feels dull.

In it, we witness young Princess Catrin sent away from her home and her father in the wake of her mother’s mysterious disappearance, left with a single token to remind her of what she left behind: a golden book, containing The Best Story in the World. It comes at a price, though—she can read but one page a day. The book, however, is confiscated for twelve long years, and when she finally has the chance to read it again, she defies this warning—to the loss of all she loves. Striking a bargain with seven devilish magpies, she sets out to redeem her losses, and save her life.

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