Thought of the Week: Suicide from the other Side

This is a difficult post to write, for a number of reasons, but I should preface it by saying to my family and friends: I am not currently thinking of ending my life. Just to put that out there. I may be struggling with one of the worst depressions I’ve known in recent years, but suicide is not on the cards, at the moment.

rob460It was for Robin Williams, however, as I’m sure you are all aware. I don’t want or need to say much about his death; by now it’s pretty-well assumed he deliberately killed himself, unless it was an asphyxiation accident, which…well, you know. It happens.

Anyway, the point is that Robin Williams is dead, and as much is being made of the coverage of his death as is being made of the tragedy itself. Should we even be talking about it, some are asking; what if this media hype encourages others to kill themselves just like he did? There’s a ‘suicide crisis’, one galling headline read (I couldn’t even bring myself to read that one). Some newspapers are focusing on his life, others on his death, and yet others on his family, who I understand asked to be left alone.

In all the furore, one theme that seems to be standing out to me is that suicide is an evil, and one to be prevented at all costs. If only he’d taken his medications; if only she’d kept up with therapy. If only they’d’ve talked to someone, let someone in, they might still be alive today.

So I’m going to ask a dangerous question: what if they were?

Let’s say Mr. William’s attempt had not succeeded, or perhaps never happened at all. We wouldn’t be talking about him at all, except perhaps for upcoming movie roles, and he would be going about his business somewhere in southern California, smiling to all and tormented inside in ways the rest of us could not even imagine. If he wasn’t dead right now, might he not be wishing he were?

nooseI have been on the brink of suicide many times before. I know friends who have tried (none who have succeeded, as it happens). It takes a lot to put you there. Even in the absolute darkest pits of despair, the mind’s natural struggle for life is incredibly strong. Death is terrifying, it’s an unknown. It takes an almost inhuman mental strength to set in motion events that will end your own life, whether it’s pulling a trigger or tightening a noose. It’s a strength I have never had, which is the only reason I’m still here at all. (Remember that: I’m not here because I chose to live; I’m here because I was afraid to die.)

It requires a conviction that nothing, absolutely nothing ever again in the world will be worth staying alive for. An absolute certainty that death is a better option than life. Because for many thousands of people, a life of misery and torment is still better than death. It’s still life. If you’re struggling to understand this, let me throw this out to the religious among you: this certainty is as absolute as your belief in a god.

Could those people whose belief in death is absolute be wrong? Absolutely. No one can see the future. But every day we make decisions based on what we think is likely to happen over the next few minutes, days, or even years. For those who choose suicide, every path they can see leads only to more pain, for themselves and for those they love.

Because yes, suicide victims can still love those they leave behind. Sometimes that love becomes their impetus: the guilt of their own misery and the effect it has on those around them can be a powerful incentive. It’s certainly been reason enough for me to contemplate suicide in the past. I love my wife and son, and the pain I put them through on a daily basis tortures me.

What point am I driving at here? I suppose it’s this: suicide need not be a taboo. It certainly isn’t for those who try. Loss causes pain and saddens us, and it’s those left behind who are so adamant that no one else should ever kill themselves again. Maybe in the wake of a celebrity suicide, some people will be compelled to try something they wouldn’t have normally considered. But those people already were thinking about it, weren’t they? Maybe they didn’t have a clear idea of what to do or how, but they knew deep down that they wanted to end their life.

Is it right to keep those people alive? For whose sake are we doing so? Whose decision is it, who lives and who dies? And why?

Lest you misread this, I am not advocating suicide. On the contrary, I am among the selfish who want to keep the living with me. But I would have you ask these questions, of yourself and of others: who are we to decide?

Featured image from http://rap.genius.com/Riff-raff-cool-cup-lyrics#note-1756293.

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Thought of the Week: Close, Yet So Far

I have some important news for you all this week: The Redemption of Erâth: Consolation is now officially available for sale, in both hard cover, soft cover and Kindle/Nook editions! You can head over here to buy a copy today!

photoI don’t know if anyone has bought any copies yet; I don’t think I can find out until the end of the quarter. Having said that, I ought to be over the moon with excitement anyway – something I wrote is actually available to buy. I’ve even read through the book in hard cover myself (the single free copy they sent to me). But I’m not.

All of a sudden I’m crippled by a depression deeper than any I’ve known in years. I can’t think, I can’t write, I can hardly get out of bed, and I don’t know how I’m going to go to work tomorrow. My wife says it’s because I went off my medication; I guess she’s probably right, though I didn’t intend to go off them – I just ran out, and the doctor won’t prescribe more until I go to see him, but the depression is stopping me from getting out of the house and making an appointment…ugh.

So I all of a sudden just don’t care. I feel as close to dead inside as I can be without being, you know, dead. I can’t imagine being energetic about anything. I have all of Book 2 to edit, and Book 3 is started, and my other book, A Gothic Symphony, crying out for attention; I have a house to organize and put away and clean after just moving into it, a kid’s bedroom to sort before he comes back from his grandparents, and I can already see it’s not going to get done. I spent eight hours in bed today after waking up. The only thing I could bring myself to do was watch a movie, which is kind of like being in bed, but on the couch.

I’m going to leave this here because it’s all I have the energy to write. Maybe, if you feel like it, download a copy of The Redemption of Erâth: Consolation and have some nice reading time. Otherwise, wish me luck for getting out of bed tomorrow morning for work.

Thought of the Week: Commitment

Hello readers!

Just a short post this week: in the midst of the furore of moving house, I sent back the approval form for the cover for The Redemption of Erâth: Consolation. What does this mean? The book has an official cover!

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This is based on the fire image I supplied to the publishers instead of the image they had used to begin with:

My own roaring fire.

 

I had actually sent them my own mock-up of the cover, and they essentially replicated it, so in a way, that’s my own design up there! In fairness to them, though, they chose the font, layout, coloring, etc.

It’s funny, because there’s a part of me that feels like I’m rushing into this—that I’m not giving this enough thought. There’s a separate part of me that just wants it done and over with, that just wants to hold the damn book in my hands, and I think it’s this part that won out. I’m terrible with commitment—terrible at making permanent decisions. Yet somehow the decision to go forward with this cover came easily. Without a second thought, I signed the sign-off form and sent it back, only ten minutes ago. The decision is made.

Will I regret it? Who knows. I held a vote at work for two different cover options, and the above cover did not win. Yet when I spoke with people, the best feedback I got was based on the ‘fire’ cover; that it seemed to hold a deeper meaning for the story (the fact the Brandyé’s parents die in a fire, that he learns of the world through his grandfather’s fireside tales, that he ends up branded with the mark of darkness), and a stronger allure, a stronger pull. The other cover (below for comparison) apparently just ‘looked pretty’.

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There’s still a part of me that’s torn; I do like the symbolism of the dark clouds descending over a final sunset, the tree (an important setting in the book) and the fierund’s face peering through the clouds, but there’s something cozy, dark and mysterious about the fire that attracts me, as well.

The good news is this means that the interior and cover of the book are approved (by me—eek!), and it’s just about time to ramp the book into production. I’m not entirely certain what the next step is, but I’m excited to think that soon—soon—I might have an actual release date for the book! Won’t that be something?

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