Thought of the Week: The Minutiae of Mortality

Someone close to me underwent a surgical procedure the other day to have her gall bladder removed. She’d been having abdominal pain for years, but after a sudden, severe and inexplicable attack she decided to have a scan. They discovered two gallstones, each over 2cm across, lodged in her gall bladder, and evidence that a third had lodged itself in the bile duct at one point (hence the attack). Worlds of fun.

This is about the most pleasant picture of gallstones I could find.

This is about the most pleasant picture of gallstones I could find.

It turns out the gall bladder, not unlike the appendix, is not a critical system in human anatomy. Its purpose is to store and concentrate bile, releasing it in a wave when needed to digest fatty foods. Without it, the liver still produces bile, and the bile still enters the intestine; it just doesn’t do it in one big go. You might need to watch your fatty foods, but you ought to be watching them anyway.

Also not unlike the appendix, it can become inflamed if blocked, and may need to be surgically removed. In the appendix it’s often calcified fecal matter than can cause this obstruction; in the gall bladder, it’s gallstones. In her case, they were cholesterol stones, formed from crystallization of the natural cholesterol that aids in the production of bile. It’s curious because this has nothing to do with “high cholesterol”, or the deposit of fatty acids in blood vessels. Cholesterol is naturally present in the liver and gall bladder, and the concentration of bile might actually serve to cause the formation of stones in the first place.

In any case, it was pretty quickly decided that the gall bladder needed to be removed, and within a matter of weeks she found herself at the hospital, signing waivers and waiting to have her abdomen cut open. It was to be a laparoscopic procedure, which means two small incisions instead of one: one for a tiny camera, and one for the actual surgical instruments. (In this case there were actually four holes, because they were repairing a hernia as well.) There was just a small chance that complications might arise, leading to full open abdominal surgery, but it was unlikely.

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…the vein might have collapsed…because I suddenly noticed the saline solution wasn’t dripping.

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The thing is, even “minor” surgery isn’t minor. Someone is taking a very sharp knife and cutting open your body, and then stitching it back together with needle and thread. There’s blood pouring out, flowing out and dripping into the body. There are any number of variables that could lead to horrible consequences; a slight slip of the hand and a major artery is severed, and you bleed to death in the operating room without ever knowing what happened. And that’s really the terrifying thing, and the thing that was terrifying her: once you’re in there, you’re out of control. Despite all promises and reassurances, there’s no knowing that when they put you to sleep (because that’s what they’re doing – there’s no choice about it), you’ll ever wake up again.

Hope you're not squeamish around needles.

Hope you’re not squeamish around needles.

And so I was there for her, of course, trying to be brave and strong (and failing, I’ll admit). This person is not stupid, and false reassurances don’t help. You can’t just say, “It’ll be all right,” when you know as well as they that there’s a chance – even if it’s less than 1% – that it won’t. And the thing is, I was fine going into it, thinking about the surgery and imagining the procedure (they wouldn’t let me watch, of course). I was fine watching the IV needle go in, as the nurse moved the needle around under the skin, lifting it and lowering it to get it into the right vein. I was fine as I watched her sign the paper that gave her life to a complete stranger.

There was just one point where I stuck.

In preparation for the surgery, she had had to have a blood sample drawn, and it was the same vein the nurse was using now for the IV drip. And I think the vein might have collapsed or something, because I suddenly noticed the saline solution wasn’t dripping. Then I noticed that blood was slowly flowing back up the tube. For her, it was pain; for me, it somehow symbolized everything that could possibly go wrong wrapped up in one neat, little needle. My mind suddenly filled with collapsing lungs, ruptured arteries and severed internal organs…I was light-headed, hyperventilating and dizzy. I was freaking out.

In the end it was nothing; the nurse came over, flushed the system, and the IV began flowing normally again. A few minutes later she was gone into the OR, and I was left waiting for the next three hours, wondering if more IV drips had stopped or not. None did, of course; the surgery went fine, and she’s now (painfully) recovering. But it’s funny how so small a thing can be what triggers the severe import of a situation to you. It was like that when she gave birth to our child; the whole thing was hideously unreal, but that one trickle of blood as they rolled her off the gurney…that was what hammered it home that they had just cut a living being out of her.

I love you, sweetie; you were really brave.

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Featured image from http://www.scquest.org/in-the-face-of-fear-the-promise/.

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The Redemption of Erâth: Map of Consolation – Updated

Based on feedback I received on the map of Consolation, I’ve updated it to improve both the layout and the shading. One of the things that was pointed out was that the shading of the map of Thaeìn was very austere and minimal – more or less black and white. I updated the mountains on the map of Consolation to match this, as well as repositioning them to match up with the position of the mountains on the larger-scale map of Thaeìn. I also cleared some of the unnecessary detail like hills (that I didn’t think looked particularly convincing anyway) and trees, leaving just the main forests behind.

I’d love your further feedback on this again!

Map of Consolation

Map of Consolation

Movie Night: Just Visiting

Year: 2001

Director: Jean-Marie Poiré

Production Company: Gaumont

Leads: Jean Reno, Christina Applegate

just_visiting_ver1For once this isn’t one Little Satis and I watched together. Mrs. Satis often likes to “discover” movies on TV after Little Satis is in bed, and the other night I happened to join her (usually I’m kicked out for talking during the movie). I really didn’t know what to expect, except that in passing I noticed Jean Reno, who I like, and Malcolm McDowell, who I like even more, and Christina Applegate, who will always be Kelly Bundy from Married With Children to me.

It turns out this is an americanized adaptation of a French film, with the distinguishing fact that it was made by the same people who made the original. This to me gives it slightly more authenticity than most bastardized adaptations (The Ring, I’m looking at you), though I’m still left with the feeling that the original is better. Even so, it was surprisingly enjoyable, with a blend of tongue-in-cheek and slapstick humor that, in fact, felt very French.

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“I could reanimate her corpse, but I don’t think you would like the way she looks. Or smells.”

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On the eve of 12th-century French Count Thibault’s wedding to an English princess he is poisoned by an English noble, and in a delusional rage kills the woman he loves. Condemned to death, he seeks the aid of an English wizard, delightfully portrayed by Malcolm McDowell, who offers to send him back in time to the moment before her death. Unsurprisingly things go wrong, and Thibault and his servant Andre suddenly find themselves in Chicago, in the year 2000.

Things fall out rather predictably from there, with much of the film’s humor stemming from Thibault and Andre’s difficulties in adjusting to 20th-century life (Andre eats everything he finds, and Thibault uses $2,000 worth of Chanel perfume as bath oil). Neither can cope with traveling at more than 20 miles an hour and they have naturally no understanding of modern culture, but their antiquated views on etiquette, civility and honor nonetheless have much to teach their ultra-modern counterparts. In other words, no big surprises.

Thibault and Andre discover Chicago.

Thibault and Andre discover Chicago.

What felt particularly authentic about the film to me, though, was the thought clearly put into the reactions of these 12th-century time travelers in modern-day Chicago. They arrive in a medieval museum exhibit, and Andre points out that their castle has been cleaved in half. The museum appears to them to be a demonic hell-plane, and the shock of stepping out of the museum sends them both running back inside in terror. Unable to cope with dining at an upscale restaurant, Andre the servant takes to skewering a chicken on an umbrella and roasting it in a fireplace before the other patrons. And of course, Thibault has to be convinced not to take off the hand of a pickpocket for stealing a lady’s purse.

I felt there were some missed opportunities as well, though; Thibault, despite his nobility and, ultimately, generosity, doesn’t seem to learn any particular lesson throughout the film, though he serves as the catalyst for others’. In terms of humor, there are few one-liners, mostly reserved for Malcolm McDowell’s wizard. When asked what he can do to save Thibault’s bride, he replies, “I could reanimate her corpse, but I don’t think you would like the way she looks. Or smells.” While such statements are undoubtedly humorous, it feels as though they undermine the humor of the rest of the film, which relies more heavily on situational humor (and, to be fair, slapstick).

For all of that, however, I was surprisingly pleased with the movie, and am glad to have been introduced to yet another Jean Reno movie. I’ll certainly be looking up the French original now, and I may just have to write about how they compare.

If you haven’t seen Just Visiting, do. If you have – what did you think?

★ ★ ★ ★ ☆

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